|
FREE
DOWNLOAD
|
International Fine Art Pty Ltd
Presents
|
|
Master Artist - Still Life
Jos Kivits
The Man and his Art
|
B I O G R A P H Y
Painter
of magnificent neo-Classic landscapes and sumptuous still life’s in
the manner of the sixteenth and seventeenth century Dutch and Flemish
old masters.
Born
in
Eindhoven
, the
Netherlands
,
September 1945., Jos, (christened, Jozef, Wilhelmus, Henrikus, Cornelis.)
was the youngest of five children. He is a descendant of
a well established Dutch
family, the roots of which can be traced back to the early thirteenth
century. His immediate family have been recognized as successful
merchants dating back to the early 1800’s.
Despite
early leanings towards becoming an industrial-chemist, architectural
draughts-man, textile merchant, even a brief desire to enter into
theology, art was his siren call. Jos could not stay away from it.
Having shown an early interest in the subject he took serious lessons
from the age of ten and completed his first
painting at age 12.
A
student at the Dutch “Kunstnijverheid” school in
Eindhoven
in the
1960’s Jos continued his “indepth” studies in the 1970’s and
1980’s under the tutelage of the renowned living Dutch artist.
Cornelis Le Mair. This association led to Jos receiving the highly
coveted diploma of “ Master Artist – Still Life” from the
Academy
of
Fine Arts
,
Antwerp
,
Belgium
, in
1989. The collaboration continued with visits by Cornelis Le Mair to the
artist’s studios in
New Zealand
and
Sydney
During
the 1960’s and 70’s Jos researched the techniques used and perfected
by the Dutch Old Masters. A long forgotten technique originally
developed by the Van Eyck brothers in the 15th century, This
involves the application of successive oil glaze layers between layers
of paint This gives incredible depth to the finished work. An arduous,
not to mention hazardous technique, Jos uses this painting style to
perfection in many of his still-life’s.
During
this very time consuming process the Artist, completely repaints a scene
four, five or sometimes even six times. It is because of this, that Jos’s
annual output of his sumptuous detailed still-life’s is very limited.
In
search of warmer climatic conditions Jos moved from his native country,
The Netherlands, to
New Zealand
in 1973.
Then in 1986, along with his wife
Lydia
and their
four children, ( Lissy, Joshua, Yahdah and Samuel,) he moved to Sydney
Australia to settle.
A
lifetime of training, study, experience and the creation of exquisite
masterpieces has earned Jos an enviable international reputation. His
work is much sought after and in demand, hanging in public and private
collections in
Australia
,
New Zealand
,
Hong Kong
,
Japan
,
North and
South America
, the
United Kingdom
, several
of the European Countries and
South Africa
.
The
bloom on a grape, a droplet of dew, the sparkle of light on crystal,
velvet petals of a rose, the sense of light, shade, depth, reflection,
luminosity, colour and age are all there in Jos Kivits’s still-life’s.
Every element is in balance, the attention to detail perfect, realistic,
but never photographic, each part appears so solid
and real, you want to touch it. There is also symbolism, the
elements in his still-life’s so often tell a story, hide a mystery,
just as the Dutch Old masters did before him.”
A
few of the many stages involved
|
↑
|
Stage
One: The
artist arranges a setting from the various props he owns.
This will help in deciding on the composition of the
painting he will create. You may note that there are several
variations between the setting and the actual painting which
starts to appear in Stage Two.
|
|
|
Stage
Two: The first
basic outline of the painting has now been created,
completely painted by free hand, this first base can now be
glazed, with a special glaze which the artist makes himself
from a secret formula using various crystals.
|
↓
|
|
↑
|
Stage
Three: When
the glaze has dried, the painting can continue, greater
detail is now added and preparation can be made to apply
certain underlying colours ready to accept final colours at
a later stage. The fruit, the Indian cloth and
vase rug are getting their first details and colours.
At this stage another coat of glaze is applied.
|
|
|
Stage
Four: Now is the time to
really get into the details and actual colours. The
background is attended to and the base colour for the china
is applied. This will allow for details to be added in the
next stage. Depth of colour and clarity of detail are
starting to appear. Another coat of glaze at this stage will
greatly enhance the depth of colour and shape.
|
↓
|
|
↑
|
Stage
Five: When
the glaze has dried the artist can resume work on his
painting. Finer details are attended to, note the changes to
the bowl and the teapot. The glass is brought to the
foreground and the colour in the persian rug and vase are
attended to to. Another coat of glaze is added now.
|
|
|
Stage
Six: Now
the artist can begin with bringing out the fullness of
colour and attend to the final fine detail of the
objects. He will judge the background colour and if needed
will change this to ensure that it will compliment the
overall painting. After attending to final adjustments
he can. now give the painting another coat of glaze
|
↓
|
The Artist At Work
|