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International Fine Art Pty Ltd

Presents

 

Master Artist - Still Life

Jos Kivits

The Man and his Art

 

B I O G R A P H Y

Painter of magnificent neo-Classic landscapes and sumptuous still life’s in the manner of the sixteenth and seventeenth century Dutch and Flemish old masters.

Born in Eindhoven , the Netherlands , September 1945., Jos, (christened, Jozef, Wilhelmus, Henrikus, Cornelis.) was the youngest of five children. He is a descendant of  a well established  Dutch family, the roots of which can be traced back to the early thirteenth century. His immediate family have been recognized as successful merchants dating back to the early 1800’s.  

Despite early leanings towards becoming an industrial-chemist, architectural draughts-man, textile merchant, even a brief desire to enter into theology, art was his siren call. Jos could not stay away from it. Having shown an early interest in the subject he took serious lessons from the age of ten and completed his first  painting at age 12.

A student at the Dutch “Kunstnijverheid” school in Eindhoven in the 1960’s Jos continued his “indepth” studies in the 1970’s and 1980’s under the tutelage of the renowned living Dutch artist. Cornelis Le Mair. This association led to Jos receiving the highly coveted diploma of “ Master Artist – Still Life” from the Academy of Fine Arts , Antwerp , Belgium , in 1989. The collaboration continued with visits by Cornelis Le Mair to the artist’s studios in New Zealand and Sydney  

During the 1960’s and 70’s Jos researched the techniques used and perfected by the Dutch Old Masters. A long forgotten technique originally developed by the Van Eyck brothers in the 15th century, This involves the application of successive oil glaze layers between layers of paint This gives incredible depth to the finished work. An arduous, not to mention hazardous technique, Jos uses this painting style to perfection in many of his still-life’s.  

 

During this very time consuming process the Artist, completely repaints a scene four, five or sometimes even six times. It is because of this, that Jos’s annual output of his sumptuous detailed still-life’s is very limited.

In search of warmer climatic conditions Jos moved from his native country, The Netherlands, to New Zealand in 1973. Then in 1986, along with his wife Lydia and their four children, ( Lissy, Joshua, Yahdah and Samuel,) he moved to Sydney Australia to settle.  

A lifetime of training, study, experience and the creation of exquisite masterpieces has earned Jos an enviable international reputation. His work is much sought after and in demand, hanging in public and private collections in Australia , New Zealand , Hong Kong , Japan ,  North and South America , the United Kingdom , several of the European Countries and  South Africa .

The bloom on a grape, a droplet of dew, the sparkle of light on crystal, velvet petals of a rose, the sense of light, shade, depth, reflection, luminosity, colour and age are all there in Jos Kivits’s still-life’s. Every element is in balance, the attention to detail perfect, realistic, but never photographic, each part appears so solid  and real, you want to touch it. There is also symbolism, the elements in his still-life’s so often tell a story, hide a mystery, just as the Dutch Old masters did before him.”

 

 

A few of the many stages involved

 

Stage One:  The artist arranges a setting from the various props he owns. This will help in deciding on the composition of the painting he will create. You may note that there are several variations between the setting and the actual painting which starts to appear in Stage Two.

Stage Two:  The first basic outline of the painting has now been created, completely painted by free hand, this first base can now be glazed, with a special glaze which the artist makes himself from a secret formula using various crystals.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Stage Three:   When the glaze has dried, the painting can continue, greater detail is now added and preparation can be made to apply certain underlying colours ready to accept final colours at a later stage. The fruit, the Indian cloth and vase rug are getting their first details and colours. At this stage another coat of glaze is applied.

 

 

Stage Four:  Now is the time to really get into the details and actual colours. The background is attended to and the base colour for the china is applied. This will allow for details to be added in the next stage. Depth of colour and clarity of detail are starting to appear. Another coat of glaze at this stage will greatly enhance the depth of colour and shape.

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Stage Five:   When the glaze has dried the artist can resume  work on his painting. Finer details are attended to, note the changes to the bowl and the teapot.  The glass is brought to the foreground and the colour in the persian rug and vase are attended to to. Another coat of glaze is added now.

Stage Six:  Now the artist can begin with bringing out the fullness of colour and attend to the final fine detail of the objects. He will judge the background colour and if needed will change this to ensure that it will compliment the overall painting.  After attending to final adjustments he can. now give the painting another coat of glaze

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Artist At Work